The following article by Peta Bee originally appeared in The Times Life on 17 October 2015.
The autor gives a great overview of what an Iyengar yoga class is like and its effects on health and fitness levels. The class was taken at the Iyengar Yoga Institute of Maida Vale, where I study weekly and qualified to teach. Incidentally, Elizabeth was one of my early teachers and is a classmate at our weekly class!
Nigella Lawson’s slim new figure is not down to fasting or cutting carbs. So what is behind her latest transformation? In the November issue of Good Housekeeping magazine, the nation’s most glamorous TV cook says that her secret is simple. “I have never been on a diet to try to lose weight. I feel like I haven’t lost weight, but I’m possibly in better shape,” she says. “I am doing a rather slow form of yoga now called Iyengar.”
Quietly and without the overt commercialisation of some yoga brands, Iyengar is among the most popular yoga forms in the world, and Nigella isn’t the only celebrity to discover its ability to lengthen limbs and tighten stomachs. Madonna is a fan, as are Jennifer Aniston, Andie MacDowell and Joanna Lumley. More so than many other varieties of yoga, Iyengar also focuses on perfecting alignment, improving posture and rehabilitation after injury. It appeals to men as much as women. The precise strengthening postures have attracted sports people such as Ryan Giggs, Joe Hart and Rio Ferdinand, and the New Zealand rugby team. The ballet dancer Alessandra Ferri, who is 52 and still a star ballerina, credits it for helping to extend her career.
For the well-connected, the fitness oasis is the Iyengar Yoga Institute tucked away at the end of a narrow cobbled lane in the leafy enclave of Maida Vale, west London. Classes are snapped up immediately, and if you manage to grab a place you can expect your mat to be sandwiched between those of glamorous local mummies who have heard about its glute-lifting effect, top athletes and the hard-worked bodies of the nearby Notting Hill and Primrose Hill sets. Despite being the first purpose-built yoga centre in Europe when it opened 30 years ago, until recently its light-flooded studios were known only to an army of hardcore enthusiasts. But word has spread. As I wait for my class to start, a bewildered receptionist is fielding calls from model agencies and glossy magazine editors all trying to secure a place on the most sought-after class in town. Many of the 50 or more weekly classes are booked up the minute they become available and there has been a sharp uptake both in the number of first-timers trying taster classes and in those signing up to be members.
Developed by the pioneering yoga teacher BKS Iyengar, the white-haired, bendy-bodied guru from Karnataka in India who is credited with introducing yoga as we know it to the West, the underlying principles are that yoga should be accessible and achievable for everyone and should be easily incorporated into a western lifestyle. Iyengar started practising the 2,000-year-old tradition of postures after a series of childhood illnesses and began teaching in the 1930s in Mysore in India. Over the next three decades he honed the way he taught traditional postures, documenting new methods that used aids such as blocks and ropes to help people to achieve them. In the 1960s he published his book Light On Yoga, which became an international bestseller. With 500 pages of detailed instruction and photographs of postures, it was the first yoga publication of its kind. It is still regarded as something of a bible and dipped into by millions of people around the world.
None of Iyengar’s postures are unique. You will find the headstands, shoulder stands and other moves typical of the approach in other types of yoga class. What distinguishes it is that it aims to work every part of your body systematically, giving great muscle definition without adding bulk. It is methodical, the very antithesis of the fast-moving, posture-packed versions to which the fitterati have flocked in recent years, and its regimen of precise alignment and deliberate sequencing is reputed to be fantastic for correcting posture, balancing the body’s weak spots and for rehabilitation after injury. It is especially good for fixing problems linked to desk-hunching or keyboard tapping. A study this year by researchers at the Institute of Global Health at the University of Geneva found Iyengar yoga to be an effective way of healing back and neck pain when compared with control groups.
While it won’t burn calories in the same way as, say, Ashtanga (which is a dynamic, demanding form of yoga, with both a cardio workout and resistance training in one), it is hardcore and can do wonders for tightening the stomach muscles, shaping the upper arms and giving the illusion that you have grown longer and leaner.
Nigella’s claim that she just does a bit of Iyengar “in a very slow way. Sometimes, lying down” is deceptive. It’s harder than you might think. Even in my basic class, props such as bolsters, harnesses and blocks are used to increase awareness of your positioning and to make the poses accessible. There’s a stronger emphasis on accuracy than I have experienced in other yoga, even to the point that the edges of your mat must be positioned parallel to the floorboard joints.
Iyengar involves holding a position for what seems like forever — in our class, one to three minutes is not unusual — while practising strict breath control and attempting three to four repetitions of each pose.
Unlike Bikram, with its fixed order and poses, there is no strict format to follow. Instructors dip into the catalogue of 200-plus poses outlined by BKS Iyengar, according to their own preference and the ability of their class. “Each instructor will bring a different set of postures in a different order to each class,” says Judy Lynn, who is teaching this morning’s beginners’ lesson. “Don’t expect a set format to the order of teaching.” It is the diversity of the poses that many consider to be Iyengar’s most therapeutic attribute. All its teachers are well-versed in biomechanics, trained to understand which positions are most likely to cause injuries and how to modify them by tweaking your technique. They dispense instructions in a more clinical fashion than you might typically expect from yoga, repeating advice until it eventually clicks. There is little risk of overuse injuries when sequences vary every session; devotees claim you can stick with it for life.
Indeed, another of my instructors is Elisabeth Wengersky, who is 83, remarkable not only for her age-defying appearance but for her flexibility. Wengersky took up Iyengar yoga in 1978 and has been teaching it since 1996. With her chic white bob and enviable physique, she would not look out of place among a class of women a third her age. There can’t be many 83-year-olds with bodies as flexible and well conditioned as hers? “Iyengar teaches progression,” she says. “It’s a matter of building layer upon layer.” There is no limit, she says, to the age at which you can get the most out of your body. BKS Iyengar died last year, aged 95, but stayed true to his belief that daily yoga practice “will keep old age at bay” by working on his own body for three hours a day and teaching for many more. Nearing 90, he could still pipe-cleaner his body into a backbend and hang upside down on a rope swing for 20 minutes or more.
The thought leaves me feeling inadequate. Wengersky pulls and pushes my hips and shoulders into position with minute tweaks that produce a stretch deeper than I have felt in years. There is, she reassures me, no need to head straight for the endpoint. “You need to build up, to learn the progressions correctly before you attempt full asanas [yoga poses],” Wengersky says. Our studio is adorned with black-and-white pictures of a wiry Iyengar contorting himself with ropes, hanging upside down and doing impossible backbends. As I withstand the head rush that comes with holding a shoulder stand for several minutes at the end of the 90-minute class, I realise that I have pushed myself to the point of achiness, to that level of muscle fatigue you might assume you would only get at bootcamp or in a spin class. Yet there’s a long way to go. I could well be back for more.
Three Iyengar poses to try at home
Tree pose (Vrksa)
Improves balance, but also strengthens the spine, thighs, calves and ankles for better posture.
Stand up, feet together. Breathe deeply. Place your right foot with your heel and toe in line with your left ankle. With your right hand, lift your right leg and place it on your inner left thigh so that your knee is as close to right angles to the floor as you can manage. If this is too difficult, lower your right foot to just above knee or calf height (not on the knee). Push your left thigh into your right foot and vice versa to help to maintain balance. Place palms together and take your arms over your head for balance. Focus on an object in front of you and hold for at least 90 seconds, breathing deeply all the time. Repeat on the other side, then repeat the entire move twice more.
Extended side bend pose (Utthita Parsvakonasana)
Lengthen the muscles between the ribs and pelvis, including parts of the lower back, and open the sides of the ribcage, improving ribcage mobility and lung function. Better breathing and posture are a result.
Stand with legs wide apart, feet parallel. Turn your right toes in slightly and move your left foot at right angles so that it is facing away from you. Bend your right knee to right angles so that it is directly over your foot, raising your arms until they are parallel to the floor. Keep facing forwards. To progress the move, bend lower, placing your right hand behind your right foot and extending your left arm overhead, palms downwards. Hold for as long as is comfortable. Aim for at least 90 seconds, breathing deeply. Repeat on the other side, then repeat the entire move three times.
Seated pose (Sukha)
Relaxation and stress relief. Reduces tension in the upper back and shoulders. It’s a good pose to do at night, and could help you sleep.
Sit comfortably with legs loosely crossed. Relax your shoulders so that they are away from your ears and keep your spine straight. Settle your mind and breathe deeply, setting a slow and easy pace of breathing. Place palms together and in front of your chest. Remain seated and continue observing your breath for five minutes or longer.
I had been practising for close to 12 years when I decided to apply for teacher training. Up until that moment, I enjoyed my practice and attending classes and didn’t want obligations (or more precisely, expectations) to spoil the joy of my practice. I applied for teacher training out of a desire to pass on what so generously and freely had been given to me and to share the gift of Yoga and the Iyengar tradition with others. Although I embarked on it with an open mind and was familiar with the rigour and discipline of Iyengar Yoga, nothing would prepare me for the demands of the training programme and the discoveries I would make through it.
Teaching – a new set of skills
Teaching Yoga is not the same as practising Yoga. Of course, our practice is the cornerstone of everything we will do as Yoga teachers. Without a thorough and intimate knowledge of the asanas and pranayamas of the syllabus, no good teaching is possible. But teaching is a whole new set of skills in itself and this is what we were to learn over the two years of Introductory Teacher training. This training would culminate in the much anticipated assessment, when it would be decided whether we are ready to go out into the world to teach Iyengar Yoga. Much has been said and written about assessments. I had read and heard the stories. When the day came, I felt I was as prepared as I could be at this point in time to go and do it.
Eat potatoes, it’s a marathon!
That final week, I remembered the advice of my teacher and trainers. ‘Eat potatoes the night before: it’s a marathon!’ ‘Forget about the assessors, teach for your students’. I felt a big responsibility to honour all the people who had so generously passed on their knowledge to me and countless others, but also to do my very best to teach well and help my students.
On the day, I arrived early to prepare and it was very comforting to see familiar faces of teachers and fellow trainees. So many people had wished me well that I felt my emotions might betray me in the practice room. By the time the assessors and moderator came in, the Yoga had worked its magic and I felt ready. After the personal practice section was over we were given our poses to teach and some time to prepare. We were now going into the unknown. Who would be there? How many students will we get? The thing to do was to go inside and focus on the teaching. Staying calm and focused while you inspire and energise your students is not an easy business. I felt huge respect for my teachers. The teaching of each pose went really quickly and by far the worst was the wait in between.
Daily practice makes everything okay
Afterwards, it was very difficult to deal with the uncertainty of what the result might be. I had done my best, but would this be enough? Self-doubt alternated with flashes of what I thought had gone well and what could have been done differently. The days that followed were a strange anti-climax of ‘and now what?‘, but also, after a couple of days, an opportunity to reflect on what I learnt during that day.
I realised that the assessment process is much more than showing what we can do or what we know. It is also about learning how you deal with difficult situations and with the unknown. Can you stay strong when things don’t go as planned? Can you see, really see, what is going on in front of you? Are you able to let go? Returning to my daily practice made everything okay again. Perspective regained, at least for a while.
Practice and detachment
On the way to my weekly class the day before I got my results, I thought that all this, too, was a really important part of the assessment process and shouldn’t be discarded. Patanjali’s Sutra I.12 tells us that practice (Abhyasa) and detachment (Vairagya) are the means to still the movements of consciousness. Abhyasa and Vairagya are described as the pillars of the Yoga practice. I thought about this Sutra’s relevance in an assessment situation and its importance in our Yoga journey.
Reading my assessment report, I felt huge relief but also deep gratitude. The detailed feedback I got would only serve to make my practice and teaching better and gave me something to work towards. To be part of a system where we are constantly supported and helped to improve is a gift that we should cherish. The assessment process, even if the result might not be what we expected, is yet another opportunity to learn from those that came before us and also from ourselves. I am grateful for all the work our teachers, trainers, assessors and moderators do day in, day out, to keep the Iyengar tradition alive and to help us all be the very best we can be.
This article was originally printed on the Iyengar Yoga Maida Vale Institute 'Dipika' Magazine